The reader can just sense the pain and disappointment, feelings of failure and despair that the poet must be experiencing. The state she describes is profoundly terrifying. It exhausts her to watch poppies flickering, yet she masochistically continues to carefully observe them.
She is not just depressed now. We are seeing a rather neurotic and paranoid attitude here which alternates with complete emotional obtundation. Anonymous 2 Feb Anonymous 5 Feb Anonymous 9 Feb Hey thank you soooo much, helped me a bunch. Anonymous 25 Feb This is great…it helped me a lot…. Kate 19 Mar Anonymous 19 Mar Anonymous 17 Apr Anonymous 17 Nov Thank you so much for sharing this with us! Then, at the rim of vision, it gathered itself, and in one sweeping tide, rushed me to sleep.
Women writers create fluffy fashion articles. Women English majors should learn shorthand. At least partly because Esther believes that there is no use for her talents, which are not in one of the standard female lines, she goes into a decline. Back at her home in Boston, the depression deepens, and flashbacks to her experiences with her boyfriend and her college years give more insight into the nature of her alienation.
She is unable to accept that there is a double standard for sexual behavior—that her boyfriend Buddy is expected to be sexually experienced and she is not. In all the relationships she sees or participates in, the woman appears to be a puppet or plaything for the man.
Yet Esther does not want to give up her sexuality for her art, either. Unable to choose between mutually exclusive options, she is paralyzed. Trying to write a novel about someone trying to write a novel, she creates one paragraph. She investigates far-fetched career and education possibilities and gives up.
She never changes her clothes. She is in a state of clinical depression, just as Plath was after her trip to New York for Mademoiselle. Her thoughts turn to suicide. The association of death with freedom occurs again and again.
Headlong speed, careening wildly down a hill on skis, is the only thing that makes Esther happy. The chance of getting out of herself, away from the prison of self that is represented by the bell jar of the title, comes with this speed; the mad flight is followed by a crash and pain—a small death.
More and more obsessed with death, Esther collects news clipping about suicides and reacts to only that part of any conversation that could possibly be related to suicide. An important element of the whole novel, the humor of the self-deprecating narrator, is ever-present in the descriptions of the events leading up to the major suicide attempt, such as a discussion at a beach picnic in which Esther tries to get her blind date to tell her how to get at a gun: I rolled onto my back again and made my voice casual.
It was just like a man to do it with a gun. He keeps it loaded. After the conversation, Esther does swim out and try most ineffectively to drown herself.
The true attempt, however, is described as a serious, almost mystical event: This death is a return to the womblike hole in the cellar where, after taking the pills, she is swept away into darkness. She is then reborn: The rest of the novel explores her treatment at the state hospital and then at the private hospital that her novelist patroness sends her to, and it is perhaps less believable that Esther recovers from the illness.
Her recovery is signaled by various events: She feels that the bell jar that had been stifling her has, at least for a time, lifted.
The final scene is the reconciliation ritual with the world. She is about to be interviewed by the doctors and dismissed from the hospital as cured. Many readers, however, will find her as lost and alienated as she was at the beginning. The Bell Jar is striking in its appeal. It is a Salingeresque tale of a young woman who does not accept things as they are and will not compromise.
Unexpected, startling beauty is the gift of self-renewal that may be called miraculous. One of the most frequently anthologized early poems, it demonstrates the gift of the visual. Like many of the poems in The Colossus , it is formally controlled. It uses a unique stanza form of five-line stanzas with repeating rhymes of Abcde throughout the poem; off-rhymes are common. This pattern helps to convey the impression that this is a diminished world with haphazard arrangements.
She admits to wanting some kind of communication with the Other: Still, it is a redemption for the watcher, who hopes to be relieved from boredom and despair by beauty. Nevertheless, they do occur, and they redeem time from emptiness, filling it with purpose, even love.
The poet is graced not by the traditional figures of inspiration but by the bizarre, distorted visitors of a surrealist painters. From another standpoint however, this allows for individual soul searching and forces the woman to come to conclusions on her own. The usage of figurative language in the poem demonstrates how false deceptions are created and growing old is rejected.
The metaphor of a lake is perfect for defining the truth and lies of aging. A lake has many different levels. The surface of a lake it what is seen initially. What is not initially seen of a lake is the depth to the very bottom. The bottom of a lake is cold and dark. Just like a lake, a mirror only exhibits what is on the surface. This use of figurative language of the poem addresses how growing old can be disguised for some time. The light that surrounds both candles and the moon is typically either dim or completely dark.
Shedding light upon a subject means to shed light upon the truth and to see everything for what it truly is. Women especially seem to fear growing old. In order to counteract any signs of aging, many women turn to anti aging creams, or even the occasional or not so occasional in some cases Botox injection. The straightforward honesty in her writing should be appreciated for the truth that it holds. A third example of figurative language found in the poem is a simile starting in line The poem ending with the simile of comparing the woman to a fish does a fantastic job of tying in to the metaphor that the mirror is a lake.
When comparing the woman to a fish, it could be thought of as both amusing and a bit depressing. Fish, to some, are creatures that are gruesome and slimy. It seems humorous, and a slightly over dramatic, to compare a fish to a human being. However, the comparison is also somewhat depressing because it comes across that the woman thinks she resembles an ugly fish in her old age.
The figurative language of the poem is clear in describing the many truths and lies in the battle with aging. Word choice can make a big impact on the way a piece of literature can move, or not move, a reader. The poem Mirror has many examples of diction that stress the anxiety the elderly woman feels in aging, which is a feeling many women can relate to.
Sylvia Plath Homework Help Questions What are the figures of speech used in the poem "The Mirror" by Silvia Plath?In detail please! A figure of speech in poetry is also known .
Sylvia Plath Sample Essay: Doubts and Fears Revealed with Startling Honesty Sylvia Plath Sample Essay: Personal Experience Of Suffering and The Redemptive Power Of Love (Paid Content) Your feedback is valuable and welcomed.
- Sartre's Theories and Sylvia Plath's Poem Lady Lazarus After reading Sartre's Essays in Existentialism, I evaluated Sylvia Plath's poem "Lady Lazarus" according to my . Sylvia Plath: Poems Sylvia Plath Sylvia Plath: Poems essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Sylvia Plath's poetry.
Sep 10, · Sylvia Plath (Also wrote under the pseudonym Victoria Lucas) American poet, novelist, short story writer, essayist, memoirist, and scriptwriter. The . Initiation Sylvia Plath Essay Words | 4 Pages Chantal Chau Analysis of a Key Passage, Initiation by Sylvia Plath In Initiation by Sylvia Plath, the author suggests that conformity and having friends is a wonderful idea, yet the idea of having an individual identity and being an individual is stronger.